Modern Horror and ‘It Comes at Night’ Director Trey Edward Shults | The Big Picture (Ep. 15)
2017-06-08 · 44 min · episode 15 · 7 entities
Asserted relationships
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0.61 · ×3
evidence rules-v5
ilm critic K. Austin Collins discuss the emergence of modern horror films like ‘The Witch’ and the increasing emphasis on tone over standard horror tropes (1:00). Then,
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0.40 · ×3
evidence rules-v5
Feed category: TV & Film
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0.40 · ×3
evidence rules-v5
Feed author/publisher: The Ringer
Entities found in this episode
concepts 3
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0.50 · ×3
evidence rules-v5
Feed category: TV & Film
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0.42 · ×3
evidence rules-v5
Modern Horror and ‘It Comes at Night’ Director Trey Edward Shults | The Big Picture (Ep. 15)
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0.40 · ×3
evidence rules-v5
Feed category: TV & Film
books 2
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0.72 · ×3
evidence rules-v5
ilm critic K. Austin Collins discuss the emergence of modern horror films like ‘The Witch’ and the increasing emphasis on tone over standard horror tropes (1:00). Then,
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0.61 · ×3
evidence rules-v5
ilm critic K. Austin Collins discuss the emergence of modern horror films like ‘The Witch’ and the increasing emphasis on tone over standard horror tropes (1:00). Then,
companys 2
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0.70 · ×3
evidence rules-v5
Feed author/publisher: The Ringer
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0.40 · ×3
evidence rules-v5
Feed author/publisher: The Ringer
Episode description as stored
Ringer editor-in-chief Sean Fennessey and film critic K. Austin Collins discuss the emergence of modern horror films like ‘The Witch’ and the increasing emphasis on tone over standard horror tropes (1:00). Then, Sean is joined by Trey Edward Shults, who explains how working through his own darkness led to making his latest film, ‘It Comes At Night’ (15:50).
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