Ana Vidović on Prodigies, Performance, and Perseverance

2022-01-12 · 45 min · episode 140 · 10 entities

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Asserted relationships

→ appeared on Conversations podcast

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Ana Vidović on Prodigies, Performance, and Perseverance
→ works at Tyler company

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joined Tyler
→ discusses Society & Culture concept

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Feed category: Society & Culture
→ discusses Education concept

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Feed category: Education
→ hosted by Mercatus Center at George Mason University company

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Feed author/publisher: Mercatus Center at George Mason University

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companys 4

mentioned Mercatus Center at George Mason University company

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Feed author/publisher: Mercatus Center at George Mason University
mentioned Tyler company

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joined Tyler
works at Tyler company

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joined Tyler
hosted by Mercatus Center at George Mason University company

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Feed author/publisher: Mercatus Center at George Mason University

concepts 4

mentioned Society & Culture concept

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evidence rules-v4
Feed category: Society & Culture
mentioned Education concept

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Feed category: Education
discusses Society & Culture concept

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evidence rules-v4
Feed category: Society & Culture
discusses Education concept

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evidence rules-v4
Feed category: Education

persons 1

mentioned Ana Vidović person

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Ana Vidović on Prodigies, Performance, and Perseverance

podcasts 1

appeared on Conversations podcast

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evidence rules-v4
Ana Vidović on Prodigies, Performance, and Perseverance

Episode description as stored

Is genius born or made? For Croatian-born classical guitarist Ana Vidović the answer is both. Born into a musical family, she began playing guitar at five and was quickly considered a prodigy. But she's seen first-hand how that label can trap young talents into complacency, stifling their full development. She's also had to navigate changing business models and new technologies, learning for instance how to balance an online presence with her love of performing for live audiences. She joined Tyler to discuss that transition from prodigy to touring musician and more, including how Bach challenges her to become a better musician, the most difficult piece in guitar repertoire, the composers she wish had written for classical guitar, the Beatles songs she'd most like to transcribe, why it's important to study a score before touching the guitar, the reason she won't practice more than seven hours per day, how she prevents mistakes during performances, what she looks for in young classical guitarists, why she doesn't have much music on streaming services, how the pandemic has changed audiences, why she stopped doing competitions early on, what she'd change about conservatory education for classical guitarists, her favorite electric guitarists, her love of Croatian pop music, the benefits and drawbacks of YouTube for young musicians, and what she'll do next. Read a full transcript enhanced with helpful links. Recorded December 27th, 2021 Other ways to connect Follow us on Twitter and Instagram Follow Tyler on Twitter Email us: cowenconvos@mercatus.gmu.edu Subscribe at our newsletter page to have the latest Conversations with Tyler news sent straight to your inbox.