Alex Ross on Music, Culture, and Criticism

2020-09-22 · 61 min · episode 105 · 10 entities

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→ appeared on Conversations podcast

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Alex Ross on Music, Culture, and Criticism
→ works at Tyler company

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joined Tyler
→ discusses Society & Culture concept

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Feed category: Society & Culture
→ discusses Education concept

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Feed category: Education
→ hosted by Mercatus Center at George Mason University company

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Feed author/publisher: Mercatus Center at George Mason University

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mentioned Mercatus Center at George Mason University company

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Feed author/publisher: Mercatus Center at George Mason University
mentioned Tyler company

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joined Tyler
works at Tyler company

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joined Tyler
hosted by Mercatus Center at George Mason University company

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Feed author/publisher: Mercatus Center at George Mason University

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mentioned Society & Culture concept

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Feed category: Society & Culture
mentioned Education concept

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Feed category: Education
discusses Society & Culture concept

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evidence rules-v4
Feed category: Society & Culture
discusses Education concept

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evidence rules-v4
Feed category: Education

persons 1

mentioned Alex Ross person

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Alex Ross on Music, Culture, and Criticism

podcasts 1

appeared on Conversations podcast

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evidence rules-v4
Alex Ross on Music, Culture, and Criticism

Episode description as stored

To Alex Ross, good music critics must be well-rounded and have command of neighboring cultural areas. "When you're writing about opera, you're writing about literature as well as music, you're writing about staging, theater ideas, as well as music," says the veteran music journalist and staff writer for The New Yorker . His most recent book, Wagnerism: Art and Politics in the Shadow of Music , explores the complicated legacy of Wagner, as well as how music shapes and is shaped by its cultural context. Alex joined Tyler to discuss the book, what gets lost in the training of modern opera singers, the effect of recording technology on orchestras, why he doesn't have "guilty pleasures," how we should approach Wagner today, the irony behind most uses of "Ride of the Valkyries" in cinema, his favorite Orson Welles film, his predictions for concert attendance after COVID-19, why artistic life in Europe will likely recover faster than in America, Rothko's influence on composer Morton Feldman, his contender for the greatest pop album ever made, how his Harvard dissertation on James Joyce prepared him for a career writing about music, and more. Read a full transcript enhanced with helpful links, or watch the full video . Recorded August 20th, 2020 Other ways to connect Follow us on Twitter and Instagram Follow Tyler on Twitter Email us: cowenconvos@mercatus.gmu.edu Subscribe at our newsletter page to have the latest Conversations with Tyler news sent straight to your inbox.