World Model · podcast knowledge graph

Thelma & Louise

2026-08-31 · 84 min · 8 entities

Asserted relationships

  • → discusses History website
    0.40
    evidence rules-v5
    Feed category: History
  • → discusses TV & Film concept
    0.40
    evidence rules-v5
    Feed category: TV & Film
  • → discusses Film History concept
    0.40
    evidence rules-v5
    Feed category: Film History
  • → hosted by Sad Boom Media company
    0.40
    evidence rules-v5
    Feed author/publisher: Sad Boom Media

Entities found in this episode

concepts 4

  • mentioned TV & Film concept
    0.50
    evidence rules-v5
    Feed category: TV & Film
  • mentioned Film History concept
    0.50
    evidence rules-v5
    Feed category: Film History
  • discusses TV & Film concept
    0.40
    evidence rules-v5
    Feed category: TV & Film
  • discusses Film History concept
    0.40
    evidence rules-v5
    Feed category: Film History

companys 2

  • mentioned Sad Boom Media company
    0.70
    evidence rules-v5
    Feed author/publisher: Sad Boom Media
  • hosted by Sad Boom Media company
    0.40
    evidence rules-v5
    Feed author/publisher: Sad Boom Media

websites 2

  • mentioned History website
    0.50
    evidence rules-v5
    Feed category: History
  • discusses History website
    0.40
    evidence rules-v5
    Feed category: History
Episode description as stored
‘Thelma and Louise’ has one of the most iconic endings ever, but it almost didn’t make it to the screen. This week Chris and Lizzie explore Callie Khouri’s relentless dedication to her screenplay, Ridley Scott’s reluctance to direct it, and why neither Geena Davis nor Brad Pitt were even close to first choice for their roles. Find out which alternate ending earned boos from a test audience and how ‘Thelma and Louise’ beat the odds to become a financial success despite almost no marketing budget. Hosted on Acast. See acast.com/privacy for more information.