Darkman with Chris Weitz
2022-04-10 · 139 min · 18 entities
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Darkman with Chris Weitz
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trilogy. We discuss the early 90s run of pulpy comic book films (“Dick Tracy”, “The Shadow”), the shock of seeing Frances McDormand in what she describes as a “bimbo role
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that establishes the comic book style that Raimi would later perfect with his “Spider-Man” trilogy. We discuss the early 90s run of pulpy comic book films (“Dick Tracy”,
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Feed category: Comedy
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Feed category: Film Reviews
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Feed author/publisher: Blank Check Productions
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Feed author/publisher: Blank Check Productions / Talkhouse
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Feed category: Comedy
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trilogy. We discuss the early 90s run of pulpy comic book films (“Dick Tracy”, “The Shadow”), the shock of seeing Frances McDormand in what she describes as a “bimbo role
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that establishes the comic book style that Raimi would later perfect with his “Spider-Man” trilogy. We discuss the early 90s run of pulpy comic book films (“Dick Tracy”,
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trilogy. We discuss the early 90s run of pulpy comic book films (“Dick Tracy”, “The Shadow”), the shock of seeing Frances McDormand in what she describes as a “bimbo role
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0.65 · ×2
evidence rules-v5
that establishes the comic book style that Raimi would later perfect with his “Spider-Man” trilogy. We discuss the early 90s run of pulpy comic book films (“Dick Tracy”,
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Feed author/publisher: Blank Check Productions
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Feed author/publisher: Blank Check Productions / Talkhouse
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Feed author/publisher: Blank Check Productions
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Feed author/publisher: Blank Check Productions / Talkhouse
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Darkman with Chris Weitz
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Darkman with Chris Weitz
Episode description as stored
Who’s Darkman? A man of a thousand faces! A walking fleshwound who probably smells awful! A dude who probably would be into night eggs! Filmmaker Chris Weitz joins us to geek out over Sam Raimi’s homage to the Universal Monsters - a film that establishes the comic book style that Raimi would later perfect with his “Spider-Man” trilogy. We discuss the early 90s run of pulpy comic book films (“Dick Tracy”, “The Shadow”), the shock of seeing Frances McDormand in what she describes as a “bimbo role,” and the unbelievably true story of how Sam Raimi swapped in his own cut of “Darkman” when the studio tried to release their own version.
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