83: The Blacklist Part 13: On the Waterfront: Elia Kazan
2016-05-24 · 48 min · episode 83 · 7 entities
Asserted relationships
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0.63 · ×2
evidence rules-v5
arren Beatty, James Dean and Marlon Brando. His films of the 1950s -- including A Streetcar Named Desire, On the Waterfront, and East of Eden -- comprise perhaps the most impressive bo
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0.55 · ×2
evidence rules-v5
Feed author/publisher: Karina Longworth
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0.40 · ×2
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Feed category: TV & Film
Entities found in this episode
concepts 3
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0.50 · ×2
evidence rules-v5
Feed category: TV & Film
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0.42 · ×2
evidence rules-v5
83: The Blacklist Part 13: On the Waterfront: Elia Kazan
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0.40 · ×2
evidence rules-v5
Feed category: TV & Film
books 2
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0.74 · ×2
evidence rules-v5
arren Beatty, James Dean and Marlon Brando. His films of the 1950s -- including A Streetcar Named Desire, On the Waterfront, and East of Eden -- comprise perhaps the most impressive bo
-
0.63 · ×2
evidence rules-v5
arren Beatty, James Dean and Marlon Brando. His films of the 1950s -- including A Streetcar Named Desire, On the Waterfront, and East of Eden -- comprise perhaps the most impressive bo
persons 2
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0.70 · ×2
evidence rules-v5
Feed author/publisher: Karina Longworth
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0.55 · ×2
evidence rules-v5
Feed author/publisher: Karina Longworth
Episode description as stored
Elia Kazan introduced audiences to Warren Beatty, James Dean and Marlon Brando. His films of the 1950s -- including A Streetcar Named Desire, On the Waterfront, and East of Eden -- comprise perhaps the most impressive body of work of an American director of the decade. But Kazan, who was briefly a Communist in the 1930s, likely would not have been able to make many of those films had he not named names to HUAC in 1952. This episode is brought to you by Slack. Visit Slack.com/REMEMBER, Create a new team and you’ll get $100 in credit for when you decide to upgrade to a paid plan.