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“The actress everybody wants to fuck”: Theresa Russell and Sondra Locke (Erotic 90’s, Part 3)

2023-04-11 · 84 min · episode 202 · 4 entities

Asserted relationships

  • → hosted by Karina Longworth person
    0.55
    evidence rules-v5
    Feed author/publisher: Karina Longworth
  • → discusses TV & Film concept
    0.40
    evidence rules-v5
    Feed category: TV & Film

Entities found in this episode

persons 2

  • mentioned Karina Longworth person
    0.70
    evidence rules-v5
    Feed author/publisher: Karina Longworth
  • hosted by Karina Longworth person
    0.55
    evidence rules-v5
    Feed author/publisher: Karina Longworth

concepts 2

  • mentioned TV & Film concept
    0.50
    evidence rules-v5
    Feed category: TV & Film
  • discusses TV & Film concept
    0.40
    evidence rules-v5
    Feed category: TV & Film
Episode description as stored
An enigmatic sex symbol dating back to the 70s, Theresa Russell made a play for Hollywood stardom in the late 80s and early 90s, making a number of films about the sexual commodification and role playing. Ken Russell’s Whore was marketed as a gritty answer to Pretty Woman, showing the “truth” about Los Angeles street prostitution. In Impulse, a neo-noir romance in which Russell plays an undercover cop posing as a sex working in a hopelessly corrupt LAPD, Russell was directed by Sondra Locke, longtime girlfriend and co-star of Clint Eastwood. When Eastwood dumped Locke while she was directing the movie, she fought back, instigating a series of lawsuits that revealed that Eastwood and his studio had conspired against her. (00:00) Did Pretty Woman Glamorize Prostitution? (07:07) “The mouth of a sailor and street smarts to match” (14:17) “The thinking man’s sex symbol” (21:26) Impulse and the Fantasy of Losing Control (31:26) Sondra and Clint in the 1970s (36:35) “Go find a house you love and I'll buy it for you.” (45:26) Palimony and Fraud Suits (56:26) “There’s no hooker in the world who’d give a man his money back.” (01:11:55) “The whole theme of the movie is the reason for the NC-17”