World Model · podcast knowledge graph

William Wyler 1965-1971 (The Old Man is Still Alive, Part 10)

2025-03-18 · 64 min · episode 240 · 4 entities

Asserted relationships

  • → hosted by Karina Longworth person
    0.55
    evidence rules-v5
    Feed author/publisher: Karina Longworth
  • → discusses TV & Film concept
    0.40
    evidence rules-v5
    Feed category: TV & Film

Entities found in this episode

persons 2

  • mentioned Karina Longworth person
    0.70
    evidence rules-v5
    Feed author/publisher: Karina Longworth
  • hosted by Karina Longworth person
    0.55
    evidence rules-v5
    Feed author/publisher: Karina Longworth

concepts 2

  • mentioned TV & Film concept
    0.50
    evidence rules-v5
    Feed category: TV & Film
  • discusses TV & Film concept
    0.40
    evidence rules-v5
    Feed category: TV & Film
Episode description as stored
For over 40 years, William Wyler was one of Hollywood’s most dependable classicists, culminating in 1968 with the ultimate New Hollywood-era throwback to Old Hollywood, Funny Girl . Then, for his final film in 1970, Wyler uncharacteristically directed a searing indictment of contemporary race relations, called The Liberation of LB Jones . (00:00) When Wyler Went Weird (Twice) (04:05) Neorealism, Auteurism, and the Cahiers Crowd (12:41) WWII, Ben-Hur, and Turning Down The Sound of Music (20:49) The Collector, Terrence Stamp, and Samantha Eggar (34:17) How To Steal a Million, Audrey Hepburn, and Peter O’Toole (40:11) Barbra Streisand and Funny Girl (48:32) Wyler’s Swan Song: The Liberation of L.B. Jones