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Henry Hathaway (The Old Man is Still Alive, Part 11)

2025-03-25 · 72 min · episode 241 · 4 entities

Asserted relationships

  • → hosted by Karina Longworth person
    0.55
    evidence rules-v5
    Feed author/publisher: Karina Longworth
  • → discusses TV & Film concept
    0.40
    evidence rules-v5
    Feed category: TV & Film

Entities found in this episode

persons 2

  • mentioned Karina Longworth person
    0.70
    evidence rules-v5
    Feed author/publisher: Karina Longworth
  • hosted by Karina Longworth person
    0.55
    evidence rules-v5
    Feed author/publisher: Karina Longworth

concepts 2

  • mentioned TV & Film concept
    0.50
    evidence rules-v5
    Feed category: TV & Film
  • discusses TV & Film concept
    0.40
    evidence rules-v5
    Feed category: TV & Film
Episode description as stored
Henry Hathaway started directing in the early 1930s and though he made movies of all genres, he was particularly associated with Westerns. This allowed him to ride out the 1960s making pretty much the same kinds of movies with the same stars (Gregory Peck, Robert Mitchum) that he had been working with for decades. But shortly after the massive success of Hathaway’s True Grit in 1969 – for which John Wayne won his only Oscar – the director felt he was being put out to pasture by a changing industry. His last film would be Hangup (also known as Super Dude ) a work-for-hire that he claimed he took only as a favor to the producer, and which was dismissed at the time as a sop to the Blaxploitation trend - not least by Hathaway himself. (00:00) “Less Than Meets the Eye” (06:18) “Screaming Henry” (10:06) WWII and The House on 92nd Street (16:50) Kiss of Death (21:42) Legend of the Lost (29:36) How the West Was Won, Circus World, and The Sons of Katie Elder (40:27) True Grit, Airport, and Raid on Rommel (50:57) Shoot Out (54:58) Brut Productions, Hangup/Superdude, and the Last of Henry Hathaway