World Model · podcast knowledge graph

Samuel Beckett

2019-01-17 · 49 min · 10 entities

Asserted relationships

  • → references Waiting for Godot book
    0.68 · ×2
    evidence rules-v5
    French was better than his English, but because it was worse. In works such as Waiting for Godot, Endgame, Molloy and Malone Dies, he wanted to show the limitations of language
  • → references Malone Dies book
    0.64 · ×2
    evidence rules-v5
    t because it was worse. In works such as Waiting for Godot, Endgame, Molloy and Malone Dies, he wanted to show the limitations of language, what words could not do, togeth
  • → discusses History website
    0.40 · ×4
    evidence rules-v4
    Feed category: History
  • → hosted by BBC company
    0.40 · ×4
    evidence rules-v4
    Feed author/publisher: BBC
  • → hosted by BBC Radio 4 company
    0.40 · ×4
    evidence rules-v4
    Feed author/publisher: BBC Radio 4

Entities found in this episode

books 4

  • mentioned Waiting for Godot book
    0.80 · ×2
    evidence rules-v5
    French was better than his English, but because it was worse. In works such as Waiting for Godot, Endgame, Molloy and Malone Dies, he wanted to show the limitations of language
  • mentioned Malone Dies book
    0.76 · ×2
    evidence rules-v5
    t because it was worse. In works such as Waiting for Godot, Endgame, Molloy and Malone Dies, he wanted to show the limitations of language, what words could not do, togeth
  • references Waiting for Godot book
    0.68 · ×2
    evidence rules-v5
    French was better than his English, but because it was worse. In works such as Waiting for Godot, Endgame, Molloy and Malone Dies, he wanted to show the limitations of language
  • references Malone Dies book
    0.64 · ×2
    evidence rules-v5
    t because it was worse. In works such as Waiting for Godot, Endgame, Molloy and Malone Dies, he wanted to show the limitations of language, what words could not do, togeth

companys 4

  • mentioned BBC company
    0.70 · ×4
    evidence rules-v4
    Feed author/publisher: BBC
  • mentioned BBC Radio 4 company
    0.70 · ×4
    evidence rules-v4
    Feed author/publisher: BBC Radio 4
  • hosted by BBC company
    0.40 · ×4
    evidence rules-v4
    Feed author/publisher: BBC
  • hosted by BBC Radio 4 company
    0.40 · ×4
    evidence rules-v4
    Feed author/publisher: BBC Radio 4

websites 2

  • mentioned History website
    0.50 · ×4
    evidence rules-v4
    Feed category: History
  • discusses History website
    0.40 · ×4
    evidence rules-v4
    Feed category: History
Episode description as stored
Melvyn Bragg and guests discuss Samuel Beckett (1906 - 1989), who lived in Paris and wrote his plays and novels in French, not because his French was better than his English, but because it was worse. In works such as Waiting for Godot, Endgame, Molloy and Malone Dies, he wanted to show the limitations of language, what words could not do, together with the absurdity and humour of the human condition. In part he was reacting to the verbal omnipotence of James Joyce, with whom he’d worked in Paris, and in part to his experience in the French Resistance during World War 2, when he used code, writing not to reveal meaning but to conceal it. With Steven Connor Professor of English at the University of Cambridge Laura Salisbury Professor of Modern Literature at the University of Exeter And Mark Nixon Associate Professor in Modern Literature at the University of Reading and co-director of the Beckett International Foundation Producer: Simon Tillotson