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Dvorak Piano Quintet, Op. 81

2026-06-11 · 50 min · episode 286 · 7 entities

Asserted relationships

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    Feed author/publisher: Joshua Weilerstein
  • → discusses Arts concept
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  • → discusses Music concept
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    evidence rules-v5
    Feed category: Music
  • → discusses Performing Arts concept
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    evidence rules-v5
    Feed category: Performing Arts

Entities found in this episode

concepts 5

  • mentioned Arts concept
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    evidence rules-v5
    Feed category: Arts
  • mentioned Performing Arts concept
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    evidence rules-v5
    Feed category: Performing Arts
  • discusses Arts concept
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    evidence rules-v5
    Feed category: Arts
  • discusses Music concept
    0.40
    evidence rules-v5
    Feed category: Music
  • discusses Performing Arts concept
    0.40
    evidence rules-v5
    Feed category: Performing Arts

persons 2

  • mentioned Joshua Weilerstein person
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    evidence rules-v5
    Feed author/publisher: Joshua Weilerstein
  • hosted by Joshua Weilerstein person
    0.55
    evidence rules-v5
    Feed author/publisher: Joshua Weilerstein
Episode description as stored
In 1872, at the age of 31, Dvořák wrote a Piano Quintet designated as Opus 5. Dvořák was not a prodigy like some other famous composers; instead, his development as a composer was slow and steady. Later in his life, he would look back at some of these early pieces with a mix of nostalgia and embarrassment, burning some and revising others. In the case of the Op. 5 Piano Quintet, Dvořák decided to revise the piece in 1887, some 15 years after its original composition, at a point when he was approaching the peak of his creative powers. Soon, however, he cast aside the older quintet and decided to write an entirely new piece. What we were gifted was his Op. 81 Piano Quintet: a luminous, gorgeous, exciting, tragic, joyful, folk-like, classical, and flat-out masterful work that in some ways sums up what makes Dvořák such a wonderful composer, and why his music never really gets old. The Dvořák Piano Quintet is the kind of piece that feels like an old friend from the moment you start listening. Forty minutes later, as it comes to its rollicking end, you feel as if you've been on a journey through a familiar tale told in the most illuminating way. I've always adored this piece, and now that I'm able to explore more chamber music on the show, I'm thrilled to share it with you this week. We'll talk about Dvořák's blend of folk-like sonorities with his adherence to classical forms, his inexhaustible melodies, and the intangibles that make his music so fresh and inviting. Join us! Recording: Cleveland Quartet w/ Emanuel Ax