Will Sinners do for blues what O Brother did for bluegrass?

2026-02-17 · 51 min · 11 entities

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Asserted relationships

→ discusses Music concept

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Feed category: Music
→ hosted by Vox Media Podcast Network company

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evidence rules-v5
Feed author/publisher: Vox Media Podcast Network
→ discusses Music Commentary concept

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Feed category: Music Commentary
→ discusses Music Interviews concept

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Feed category: Music Interviews
→ discusses Music History concept

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Feed category: Music History
→ hosted by Vulture company

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evidence rules-v5
Feed author/publisher: Vulture

Entities found in this episode

concepts 7

mentioned Music Commentary concept

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evidence rules-v5
Feed category: Music Commentary
mentioned Music Interviews concept

0.50

evidence rules-v5
Feed category: Music Interviews
mentioned Music History concept

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evidence rules-v5
Feed category: Music History
discusses Music concept

0.40

evidence rules-v5
Feed category: Music
discusses Music Commentary concept

0.40

evidence rules-v5
Feed category: Music Commentary
discusses Music Interviews concept

0.40

evidence rules-v5
Feed category: Music Interviews
discusses Music History concept

0.40

evidence rules-v5
Feed category: Music History

companys 4

mentioned Vox Media Podcast Network company

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evidence rules-v5
Feed author/publisher: Vox Media Podcast Network
mentioned Vulture company

0.70

evidence rules-v5
Feed author/publisher: Vulture
hosted by Vox Media Podcast Network company

0.40

evidence rules-v5
Feed author/publisher: Vox Media Podcast Network
hosted by Vulture company

0.40

evidence rules-v5
Feed author/publisher: Vulture

Episode description as stored

It's the middle of award season, and Ryan Coogler's ode to the Black music canon Sinners has emerged as the Oscars frontrunner and the most nominated film in Academy Awards history. The love the movie has for the Delta blues is front and center, and begs the question: will the movie's legacy help bring the blues back into popular culture? There's already been a precedent for films reviving dead genres – think The Sting and its ragtime score, or O Brother Where Art Thou's relationship to bluegrass – and on this episode of Switched On Pop, Reanna and Nate talk with Vulture writer Fran Hoepfner about the times in which movie soundtracks have shifted the musical culture. Read Fran's piece on movie scoring, The Death of the Classic Film Score, here. Songs discussed: Miles Caton – I Lied to You Bee Gees – Stayin' Alive Underworld – Born Slippy (Nuxx) Marvin Hamlisch – The Entertainer Wu-Tang Clan – Fast Shadow Bee Gees – More Than A Woman Whitney Houston – I Have Nothing Harry McClintock – The Big Rock Candy Mountain Alison Krauss – Down To The River To Pray The Soggy Bottom Boys – I Am A Man Of Constant Sorrow *NSYNC – Bye Bye Bye The Brian Setzer Orchestra – Jump Jive An' Wail Cab Calloway – Minnie the Moocher Royal Crown Revue – Hey Pachuco! Caravan Palace – Lone Digger Big Bad Voodoo Daddy – Go Daddy O Squirrel Nut Zippers – Hell Fergie, Q-Tip, GoonRock – A Little Party Never Killed Nobody Lana Del Rey – Young And Beautiful Max Richter – On the Nature of Daylight Kavinsky – Nightcall College, Electric Youth – A Real Hero M83 – Midnight City The Weeknd – Take My Breath Learn more about your ad choices. Visit podcastchoices.com/adchoices