World Model · podcast knowledge graph

How to write when everything’s in flux

2026-10-03 · 40 min · 8 entities

Asserted relationships

  • → hosted by The New Statesman person
    0.55
    evidence rules-v5
    Feed author/publisher: The New Statesman
  • → discusses Society & Culture concept
    0.40
    evidence rules-v5
    Feed category: Society & Culture
  • → discusses Arts concept
    0.40
    evidence rules-v5
    Feed category: Arts
  • → discusses TV & Film concept
    0.40
    evidence rules-v5
    Feed category: TV & Film

Entities found in this episode

concepts 6

  • mentioned Society & Culture concept
    0.50
    evidence rules-v5
    Feed category: Society & Culture
  • mentioned Arts concept
    0.50
    evidence rules-v5
    Feed category: Arts
  • mentioned TV & Film concept
    0.50
    evidence rules-v5
    Feed category: TV & Film
  • discusses Society & Culture concept
    0.40
    evidence rules-v5
    Feed category: Society & Culture
  • discusses Arts concept
    0.40
    evidence rules-v5
    Feed category: Arts
  • discusses TV & Film concept
    0.40
    evidence rules-v5
    Feed category: TV & Film

persons 2

  • mentioned The New Statesman person
    0.70
    evidence rules-v5
    Feed author/publisher: The New Statesman
  • hosted by The New Statesman person
    0.55
    evidence rules-v5
    Feed author/publisher: The New Statesman
Episode description as stored
Every story, they say, needs a beginning, a middle and an end; every story needs a setting. What if that isn’t true? Can you write when everything is in flux, when you are unmoored from places, and when the time is out of joint? Tanjil Rashid is joined by Amit Chaudhuri, a singer, composer, poet, critic and novelist, to discuss how a story is less important – and less interesting – than the movement of life. Hosted on Acast. See acast.com/privacy for more information.