Integrating Music and Queering Hollywood (The Bisexuals, Part 4)
2026-10-06 · 69 min · episode 252 · 4 entities
Asserted relationships
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0.55
evidence rules-v5
Feed author/publisher: Karina Longworth
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0.40
evidence rules-v5
Feed category: TV & Film
Entities found in this episode
persons 2
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0.70
evidence rules-v5
Feed author/publisher: Karina Longworth
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0.55
evidence rules-v5
Feed author/publisher: Karina Longworth
concepts 2
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0.50
evidence rules-v5
Feed category: TV & Film
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0.40
evidence rules-v5
Feed category: TV & Film
Episode description as stored
Montgomery Clift enters the chat as a teenage acting prodigy who immediately attracts 34 year-old Libby’s attention. Through her sometime-lover Nicholas Ray, Libby starts exploring Black folk music, launching a new singing career in collaboration with guitarist Josh White (“One Meatball”). Plus Libby’s old friend Clifton Webb becomes a late-in-life, closeted movie star, and Tallulah – effectively banished from Hollywood a decade earlier due to her refusal to be discreet about her sexuality – triumphantly returns to the screen thanks to Alfred Hitchcock.
(00:00) Libby and Monty “Under the Sheets”
(03:51) Appreciation or Cultural Appropriation?
(06:23) Nicholas Ray, Leadbelly, Josh White
(13:24) No White Person Has Ever Sung Them in Public
(22:02) Everybody is in Love With Monty
(28:44) Tallulah Bankhead in Movie Jail
(36:13) Lifeboat
(40:20) Clifton Webb’s Queer Success Story
(45:46) Libby Lashes Out at Older Women
(51:08) The Black Widow and Josh White
(58:45) Libby’s Only Movie